camera mic is pretty awful, and I am thinking of recording all the conversations separately and then matching them to the film itself, although it will cause additional troubles and very time consuming, I think we should at least try
also, we are going to use another software, maybe adobe or sony product, I will check them and choose the most suitable.
the film itself is from that "dark, mysterious" area, a bit david-lynch-ish) eg. the scene with the red room *got inspired from Twin peaks red corridor and rooms with the dwarf"
there is no so many talking in the film (which may be good, camera mic will not spoil the film that much), but instead they are different kinds - we have a monologue, dialogue and have dialogue (when one person is talking to himself, the other one sees it and replies , but the first one does not know or hear it)
for example in the Mulholland drive there are not so many talking as well, but instead a lot of close ups, so we can read the emotions and thoughts, instead of hearing them directly from a person.
of course we will have to work hard to get something that can be understood by viewers and not being just a set of strange mysterious shots :) (because there is an explanation for the whole story, the problem is - how to deliver that explanation to the viewer)
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Yes, the script is pretty minimal. Normally this can be scary for a director. I hope you can handle it.
David Lynch... ooooh!
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